molsno:

fantastic-artemis:

castielslostwings:

cezarywho:

thatpettyblackgirl:

Philando Castile was gunned down when he was legally carrying a firearm…

How is that story real?! Bringing guns to school?!

If you can afford to be silent about this, you have white privilege too. If you don’t call this racist bs out, you’re condoning it. PUBLICALLY condemn this girl and the inherent racism of this act.

ACTUALLY I’M GONNA REBLOG THIS A SECOND TIME because this is Kent State, guys. Kent State. The school where four students were shot to death in the 70′s for protesting war. 

That Kent State. 

This is unbelievable. 

kent state student here. this moron is planning an open carry walk on campus on september 29, despite no longer being a student here. the university sent her a cease and desist letter because the event was not promoted by a student organization. now it is being promoted by a student organization: liberty hangout, which was founded by her boyfriend, who I believe still runs it. the university charged liberty hangout $14,300 to be able to do this, and somehow that was no barrier to her. fucking horseshit. fuck this girl, fuck her boyfriend, and fuck kent state for allowing her to do this

accessibilityfails:

i-need-that-seat:

pseudosoph:

i-need-that-seat:

For structures that have no entry steps, ConvertaStep also makes ramps of three sizes that come in a manual as well as automatic version.

(via ConvertaStep | Wheelchair Accessibility | Ramps | Convertastep – Freedom In Mobility)

This welcome mat converts into a fully accessible wheelchair ramp. Beautiful and functional design. I want it.

Some more info, for people who are interested.

First of all, I can’t believe this has almost 3,000 notes. I’m so glad that people are sharing this – both as a cool design, and also as an important accessibility feature.

Thanks to pseudosoph for linking to additional info (above) regarding weight limits, lift height, and product background – the creator is a wheelchair user himself! Very cool stuff. Keep sharing!

This isn’t a fail. Just wanted to share an accessibility win so people can get ideas for improving accessibility

gehayi:

raven-conspiracy:

Call your reps or use Resistbot if texting is your thing, and MAKE THIS HAPPEN in your state!!

http://thehill.com/homenews/state-watch/393581-rhode-island-bill-would-keep-trump-off-2020-ballot-unless-he-filed-his

Rhode Island’s state Senate passed a bill this week that would keep candidates off the presidential ballot in their state if they don’t release five years’ worth of tax returns, according to the Providence Journal.

State Sen. Gayle Goldin (D), who sponsored the bill, noted that every presidential candidate since Richard Nixon had released their tax returns voluntarily until President Trump ran for office.

Trump has repeatedly claimed that he cannot release his tax returns because he is under audit, but the IRS said an audit does not prevent a candidate from releasing their personal tax information.

Goldin argued that “tax returns provide essential information about candidates’ conflicts of interest.”

Tax returns, she continued, are vital information a voter needs to know about a candidate at the ballot box.

The bill passed the Democratic-majority Senate on a 34-3 vote. It now moves to the Rhode Island state House.

ragnell:

athelind:

pheylan13:

themightyglamazon:

danefonda:

ms-demeanor:

bifca:

justplainsomething:

nakedsasquatch:

lanawhatever:

nakedsasquatch it’s ya man

Okay but seriously folks – as often as I joke about this movie stirs my loins and as weirdly popular as this text post got a while back, I wanna rap with you all about why the George of the Jungle remake is a pretty important piece of cinema.

It’s literally the only movie I can think of that is based completely around the unheard of “FEMALE gaze.” Granted, while I’m a huge movie buff I’ve not seen every movie ever made. But even so, even if there’s another example of the “female gaze” in cinema that has escaped me it’s still damn impressive that a kids movie from 1997 based on a Jay Ward cartoon from the 60’s managed to turn gender representation in media on it’s fucking ass!

First things first, let’s look at our leading lady and love interest – Ursula, played by Leslie Mann.

Let me just say that while Leslie Mann is adorable and a talented actress, she does look a little less conventional and a little more plain compared to the bombshells that Hollywood likes to churn out. Leslie, in comparison, looks much more like a real women you’d meet on the street. She dresses pretty conservatively and plain throughout the film ; Wearing outfits that are more functional than fashionable for trekking through the jungle, pulling her hair back and so forth. Not that if she was dolled up and more scantily clad it would give her character any less integrity, but can we appreciate how RARE that is in the male dominated industry of film? Just think about all the roads a film about a woman in the jungle COULD have taken but didn’t – no scenes with her clothes strategically ripped or anything! You can say this is a kids movie, intended for children and that’s why the sensuality of the female lead is so downplayed but there are PLENTY of kids movies that handle women in a very objectifying and sexualized manner despite the target audience is pre-pubescent. Like, a disgusting amount. So I don’t think “it’s a kids movie” is why the film doesn’t take ANY, let alone EVERY, opportunity to showcase the main female character’s sex appeal…

…especially considering the sex appeal of the film rests squarely on the well defined shoulders of our male lead, George of the Jungle played by Brendan Fraser in the best god damn shape of his life!

*Homer Simpson Drooling Noises*

Whenever members of the reddit community try to compare the sexualization of women in fiction to the design of characters such as Batman and Superman, I always want to just sit them down and show them this movie. Because THIS is what the female sexual fantasy looks like, and Batman and Superman are male power-fantasies. Look at him – his big blue eyes, his soft hair, his lean, chiseled physique built for dexterity rather than power. He’s wild and free, but gentle. It’s like he fell right out of that steamy romance novel your mom tried to hide from you growing up.

Hell, the whole plot seems to be designed around how damn hot he is! First, for the majority of the film, he wears only a small strip of cloth to cover the dick balls and ass. Everything else is FAIR GAME to drool over for 40 minutes. Then, after he meets Ursula she takes him with her to San Francisco just so we can enjoy him in a well-tailored suit (as seen in the gif set), running around in an open and billowy shirt along side horses while Ursula and all of her friends literally crowd around and make sexual comments about him, and my personal favorite, ditch the loincloth entirely and have him walk around naked while covering his man-bits with various objects while one of Ursula’s very lucky friends oogles him and makes a joke along the lines of “So THAT’S why they call him the ‘KING of the Jungle’…”

And yes, it’s also a very cute and funny little movie. Out of all the movies based on Jay Ward cartoons, it was the most faithful to the fast-paced humor and wit of the original source material (yes even the new Peabody and Sherman movie which honestly I thought was too cutesy-poo.) But that’s not why this movie is popular with the gay community or why we all became women in 1997. It’s just really cool that there’s a film out there where the sensuality of the female form takes a back seat for the oiled up, chiseled, physique of Brendan Fraser (in his prime that is)

One thing to add: in the scene mentioned above where the ladies are watching him in the billowy shirt running with the horses, it pans back to about 50 feet away to two guys in suits at this party looking at the women and one of the guys says, “Man, what is it with women and horses?” So not only does this movie highlight the female gaze, but it blatantly points out that western male sensibilities don’t have a clue what actually appeals to women.

ALSO

he’s non threatening

as mentioned above, he looks built for dexterity rather than power, but he’s still a 6+ foot tall extremely muscular man, and not once are you worried for Ursula when he’s with her

ALSO

let’s take a look at his rival – Lyle is a cravat-wearing trust-fund kid (who, interestingly, is into Ursula’s fortune more than her, which kind of makes this a gender-swapped gold-digger thing too). He’s blonde and Ursula’s mom LOVES him. He’s more uncomfortable and less prepared to cope with the jungle than Ursula is, in his pastels and shiny shoes.

But he talks over Ursula, insists he knows what’s best for her, ignores her autonomy. In spite of the fact that Lyle Van de Groot is a rich, educated, social climber who cares deeply about his clothing and appearances he is a point-by-point checklist of unhealthy masculinity in a way that beefy, inarticulate, uneducated George could never be. Ursula is off on her own doing her own thing and Lyle hires two FUCKING POACHERS to track her down in the middle of the jungle while she’s working (or on vacation? It’s never made clear because he interrupts her before she can explain why she went on the expedition). Lyle ignores the local guides, claiming his experience with a bridge in Maui means the bridge they’re on is safe – which leads to a significant injury for one of the guides. He then tells Ursula the guides are conspiring against him, trying to make himself and his poachers seem safe and the Africans who make up the rest of their party seem dangerous.

Check that body language! A post above points out that we’re never worried about Ursula when she’s around George. That’s because Lyle talks to her like this. Look at his aggressive lean! Look at him literally looking down at her! She’s tilted away from him in the least threatening position possible and he’s so aggressive about whatever point he’s making. When he finds her after he pushed her toward a damned lion he kisses her and she pushes him away. Want a textbook example of gaslighting? Here you go: she says “don’t get all smoochy with me! I remember what happened with that lion” and he responds “What are you talking about? I was fighting that lion the whole time – you were just so terrified you don’t remember.”  Then he shoots George! And then he kidnaps Ursula and attempts to force her into marriage!

Now look at how George and Ursula interact (slightly NSFW):

Even though he’s a big strong dude and he thinks he’s doing what’s okay he lets her set the tone for their interactions. He accepts that he’s out of his wheelhouse and even if he doesn’t understand it he does what she says is culturally appropriate. He learns from her! He listens to her! Compare Lyle leaning into Ursula above to this image of George and Ursula talking:

He’s listening to her, all of his attention is on on her, but he’s totally nonthreatening. His torso is turned toward her but he’s not invading her space, his hands are clasped, he’s smiling, and she’s the one leaning into him. Look at that smile she has, look how happy she is to be listened to. Her posture in both images is vulnerable but in this one with George she’s vulnerable because she has chosen to share with him instead of because she feels threatened.

When George rescues Ursula from Lyle at the end of the film it isn’t a typical damsel situation – George doesn’t have a knock-down-drag-out fight with Lyle, he swings into a tree and offers Ursula a hand so she can reach up and save herself (and before he does it he acknowledges how much it’s going to hurt and *whimpers* and looks human and scared). And you’ve gotta remember that George rescues everybody. It’s not just Ursula – he also rescues a parasailer and gets shot rescuing Shep and Ape. He just likes helping, dammit!

AND this movie offers a perfect counter to the “nice guy” thing – Ursula starts engaged to a jerk who her mom thinks is a “nice guy” the moves on to actual nice man George who isn’t *just* nice – he’s also patient, listens to her, has his own skills and talents, is okay with being goofy, has his own social circle and isn’t totally dependent on Ursula, and looks amazing. Ursula doesn’t go with George just because he’s a *nice* guy who rescued her from an asshole, Ursula goes with George because he’s an interesting, fun person who is supportive of her different way of being an interesting, fun person. AND he’s emotionally available. Google image search George of the jungle and see how many smiles you can find, see how many open looks of confusion there are, see how much sadness you can see in George’s face. Now look for images of Lyle. His two expressions are a smirk and cartoonish fear. I know this is a cartoonish kid’s movie, but it is SO powerful that the hero shares his emotions while the villain masks every emotion but fear. Lyle doesn’t want to open up, he doesn’t want to be vulnerable, he wants CONTROL. George wants to learn, to protect people he cares about, to explore new places, to laugh when he’s happy and to be sad when he’s sad, and that he does that while being a broad-shouldered, physically powerful dude who is NOT totally self-involved is just…

Like, look, I didn’t sign on to tumblr dot com for George of the Jungle discourse, but I’m just now realizing that this movie may have done the most for destroying my conception of stoic masculinity and gender roles as a child.

Like

Damn.

i just read this entire post

I, in fact, did sign on to tumblr dot com for George of the Jungle discourse.

I saw this movie at just over 30 with my Mom who was mid 50s.  We BOTH thought this was one of the sexiest guys we’d ever seen, despite the fact that this was a “kid’s” movie. (Might I remind you that the audience for the original George of the Jungle cartoon was not really kids. Jay Ward’s stuff always had a more sophisticated under-layer than your normal kid’s cartoon.)

George not wearing underlayer; George go commando in loincloth.

Attn: @kalinara

techcat-mod:

bardicknowledgeblogger:

biglawbear:

medinaquirin:

riskpig:

kaleymonster:

durnesque-esque:

ceiphiedknight:

riskpig:

allisquish:

almostvivian:

andrejpejicjimmyvegafanfic:

trouncing:

REMEMBER SKIP-IT FROM THE 90’S

image

my weapon of choice during school yard fights 

DnD campaign but the only weapons are 90′s toys @riskpig

Distance weapon: those sky dancer propeller toys.

I’ll allow it.

I have but two words:

Are those a weapon or piece of armor?

Party walks into the inn to rest and the pub looks like

Perfection.

@anotherspecter

I ride into battle on one of these

Animal Companions

Fresh combat

sbrown82:

securelyinsecure:

Miss New York Nia Imani Franklin Has Won the Miss America Pageant

A classical vocalist whose pageant platform is “advocating for the arts,” Franklin sang an operatic selection from the opera La Boheme.

She won a $50,000 scholarship along with the crown in the first Miss America pageant to be held without a swimsuit competition.

*every black girl across these “united” states:

image

lhugbereth:

achryathesecond:

shundeis:

derinthemadscientist:

shrineart:

chaoticbard:

socialjusticeichigo:

johniaurens:

elorra:

elorra:

why. do people get off on writing traumatizing events happening to their ocs

why cant you just say “yeah i enjoy developing my ocs’ backstories” or “its fun coming up with their lore” instead of being freaks who talk about how fuuun it is to abuse your ocs n how you just loooove making em into bloody messes

like its not cute

i dont know how to make this clearer but that comics like this:

are fucking everywhere on tumblr and always have like 50k notes is terrifying. yall get a hobby and stop n*tting over trauma n abuse its weird n youre Not off the hook for being the character creator if youre gonna act like THIS about it

almost 100% the time it’s the creator projecting their own trauma on their ocs and it’s actually painfully obvious that that’s the case…

Actually it’s also just people writing what the hell they want a lot of the time and there’s nothing wrong with that.

Also the comic example here is clearly a style of exaggeration to make something funny out of a relatable experience that’s developed over years of talking about it in a certain way; in most people’s cases, the relatable experience is creating drama and development through anything from tragic back stories to traumatic events.

If you go back a couple years on tumblr, you’d actually find posts discussing why so many people wanted to create sad, dark, or painful stories for their characters, and why they were always put through such horrible things (and why everyone seemed to ready to do it.)

Some people said they did it to explore their own experiences. Some people did it because it was a way to explore those themes they were unfamiliar with in a completely fictional world. I think overwhelmingly, people agreed it gave characters a lot more depth, ability to be empathized with, and attachment. It fosters protective feelings in people to see characters go through bad experiences.

In any case, there was a shift in how OC treatment (and character treatment in fandom as well,) was viewed and talked about. People went from “I’m about to make my fav go through something bad bc I love him and it’ll make him into the character I love” (or something similar, you get my drift,) to funny posts like the ones above, because among creators there was and is an understanding of how we all tend to do that to them, and its making a joke from it because you don’t get noticed by being the nth person to make the same ~relatable post~ again, you do it by taking something relatable and making it new and funny (welcome to tumblr.)

But I guess it’s more edgy to completely ignore the language development that’s pretty consistent with the dramatic escalation EVERYTHING gets spoken about on here (basically the “cultural subtext,”) to call people freaks in order to participate in callout culture and feel superior in some way, so good for you I guess?????

Writer/roleplayer jokes and character development is are problematic now I guess.

Stories have conflict in them Karen

Do the initial posters live under a rock, or????

How exciting, now people are telling us how to write and talk about our own ocs! Not only must you fic in certain approved ways. Woth approved characters and ships, but now your original stuff must also pass muster.

I’d say tumblr makes me long for death but I expect soon there will be posts about how stating one wants to die/be killed needs to stop too.

I’m sorry, let’s go back to Storytelling 101 where we learn that conflict is necessary. Whether that means the characters are being chased around and/or eaten by dinosaurs, snapped out of existence by some purple alien asshole, suffering a long and miserable journey to the heart of a volcano where they have their finger bitten off, losing their parents and an entire school of friends and mentors to a pissed-off wizard without a nose, or coping with drug addiction and/or an abusive relationship (obvs the most relatable out of these options) CONFLICT IS NECESSARY! 

We (meaning fandom creators but also mainstream creators, see above) use conflict as a medium to tell a story. No successful book has ever been like, “These cool people existed, everything was fine and they lived happily ever after the end.” 

And anyway, they’re fictional, so why does OP even care?